If your browser does not support cookies, or if you have turned them off, you will still be able to use our site, but e-commerce ordering may not be as simple. Flute World cookies will not damage your system or files in any way. Personal information cannot be collected via cookies and other tracking technology, however, if you previously provided personally identifiable information, cookies may be tied to such information.įlute World does not use cookies to collect any information other than the information you provide at the time you register. Cookies can also help customize the site for visitors. Cookie and tracking technology is useful for gathering information such as browser type and operating system, tracking the number of visitors to the site, and understanding how visitors use the site. The site may use cookie and tracking technology depending on the features offered. The information you provide is used to fulfill your specific request, process your order, and/or to add you to our mailing list. when voluntarily submitted by our visitors. We collect personally identifiable information like names, postal addresses, email addresses, etc. If you link to other websites, please review the privacy policies posted on those sites. Note: the practices set forth in this privacy policy are for this website only. You are encouraged to review the privacy policy when visiting our site to make sure that you understand how any personal information you provide will be used. These practices may be updated, but any changes will be posted and will only apply to activities and information going forward. By using our site, you are accepting the practices described in this privacy policy. Please read this policy before using the site or submitting any personal information. This privacy policy tells you how we use personal information collected on our site. Remarkably, these transformed ideas still hold their easy appeal and rhythmic drive, a result of Laufer’s quick familiarity with both the concert hall and comedy club.
A simple ragtime – the first piece of another work, the Three Light Movements for flute, for example – might transform into a complex recital work with conflicting harmonies and counterpoint a simple aria – the second of the Light Movements – into a thickly-spiced melodic ramble over the blues. Laufer’s best-known work, Scars and Scrapes Forever for piccolo and piano (or band), is a brilliant example of his compositional language satirical, charming, and rich in conflicting musical ideas that are nevertheless gracefully combined. Born to Austrian parents in New York, 1943, he was raised on Bach and classical music, and was “not too fond of pop music,” in his own words. Kenneth Laufer is best known for his satirical piano playing in both comedy clubs and concert halls – much of it, of course, his own composition. Scars and Scraped Forever for Piccolo and Piano by Kenneth LauferĪ comic novelty based on John Philip Sousa’s Stars and Stripes Forever
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